Reproduced
from a 7" x 4¾" Steel Engraving
from
a Drawing by W.H. Bartlett
"AMERICAN SCENERY" or LAND,
LAKE , AND RIVER
Published
in 1839 by George Virtue, 26 Ivy Lane , London
THERE are
many favourable points of view for this fine structure, standing, as it does,
higher than the general level of the country. Besides those presented in the
different drawings in this work, there are views from the distant eminences,
which are particularly fine, in which the broad bosom of the Potomac
forms the background. The effect of the building is also remarkably imposing
when the snow is on the ground, and the whole structure, rising from a field of
snow, with its dazzling whiteness, looks like some admirable creation of the
frost. All architecture, however,
is very much improved by the presence of a multitude of people, and the Capitol
looks its best on the day of inauguration. The following description, written
after viewing the ceremony of Mr. Van Buren's induction into office, will give
an idea of the effect of this solemnity on the architecture:
"
The sun shone out of heaven without a cloud on the inaugural morning. The air
was cold, but clear and life-giving, and the broad avenues of Washington for once seemed not too large for
the thronging population. The crowds who had been pouring in from every
direction for several days before, ransacking the town for but a shelter from
the night, were apparent on the spacious side walks, and the old campaigners of
the winter seemed. but a thin
sprinkling among the thousands of new and strange faces. The sun shone alike on
the friends and opponents of the new administration; and, as far as one might observe in a walk to the Capitol,
all were made cheerful alike by its
brightness. It was another augury, perhaps, and may foretell a more extended
fusion under the light of the luminary new-risen. In a whole day, passed in a
crowd composed of all classes and parties, I heard no remark that the president.
would have been unwilling to hear.
" I was at the Capitol a half-hour before the procession arrived,
and had leisure to study a scene for which I
was not at all prepared. The noble staircase of the east front of the building
leaps over three arches; under one of which carriages pass to the basement
door; and, as you approach from the gate, the eye cuts the ascent at right
angles, and the sky, broken by a small spire at a short distance, is visible beneath. Broad stairs
occur at equal distances, with corresponding projections, and from the upper
platform rise the outer columns of the portico, with ranges of columns three
deep extending back to the pilasters. I had often admired this front, with its
many graceful columns and its superb flight of stairs, as one of the finest
things I had seen in the world. Like the effect of the assembled population of Rome waiting to receive
the blessing before the front of St. Peter's, however, the assembled crowd on
the steps and at the base of the Capitol, heightened inconceivably the grandeur
of the design. They were piled up like the people on the temples of Babylon in one of Martin's
sublime pictures-every projection covered, and an inexpressible soul and
character given by their presence to the architecture. Boys climbed about the
bases of the columns, single figures stood on the posts of the surrounding
railings in the boldest relief against the sky, and the whole thing was exactly
what Paul Veronese would have delighted to draw.
" I was in the crowd thronging the opposite side of
the court, and lost sight of the principal actors in this imposing drama till
they returned from the Senate Chamber. A temporary platform had been laid and
railed in on the broad stair which supports the portico, and, for all
preparation for one of the most important and most meaning and solemn
ceremonies on earth for the inauguration of a chief magistrate over a republic
of fifteen millions of freemen -- the whole addition to the open air and the
presence of the people, was a volume of Holy Writ. In comparing the impressive simplicity of this consummation of the
wishes of a mighty people, with the ceremonial and hollow show which embarrass
a corresponding event in other lands, it was impossible not to feel that the
moral sublime was here -- that a transaction so important, and of such extended and weighty import, could borrow
nothing from drapery or decoration, and that the simple presence of the sacred
volume, consecrating the act, spoke more thrillingly to the heart than the
trumpets of a thousand heralds.
" The crowd of diplomatists and sen-ators in the
rear of the columns made way, and the ex-President and Mr. Van Buren advanced
with uncovered heads. A murmur of feeling rose up from the moving mass below,
and the infirm old man, emerged from a sick chamber which his physician had
thought it impossible he should leave, bowed to the people, and, still
uncovered in the cold air, took his seat beneath the portico. Mr. Van Buren
then advanced, and with a voice remarkably distinct, and with great dignity,
read his address to the people.
"
When the address was closed, the Chief Justice advanced and administered the
oath. As the book touched the lips of the new President, there arose a general
shout, an expression of feeling common
enough in other countries, but drawn with difficulty from an American assemblage. The sons and immediate friends of Mr. Van Buren then closed around him, the
ex-President and others gave him the hand in congratulation, and the ceremony was over."
The
above description of the Capitol Print is copied from the original text
published 1839
in "AMERICAN SCENERY" Volume I, Page 36,
Published 1839 By George Virtue, 26 ivy Lane, London
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